You've heard this on records. You've never made it.
Reversed echoes that rush up into the drop — stacked, tempo-synced, generated live from your own audio. There is no manual version of this. That's the point.
Same snare — dry, then with Slingshot. No other plugin makes this sound.
"A truly unique effect the plugin industry has been sleeping on." — Slickz
One-time · lifetime license · no iLok · 14-day money-back guarantee
“Irreplaceable unique plugin”
“Slingshot sits in every session I create now. A truly unique effect the plugin industry has been sleeping on”
“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
“Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)”
“Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick.”
“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
“Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible.”
“The Filtered delay character here is gorgeous. I put this on a vocal chop and the rush into the drop felt inevitable. Never thought I'd see a "live reversed echo" actually become a thing, but it works flawlessly.”
“Analog delay character + live reversed echo = magic. I used to spend 10 minutes bouncing and flipping audio to fake this effect. Now it's just... live. Wow.”
“Ping-pong character through this swell is trippy in the best way. Used it on a drum fill and it sounded like the drums were rushing at me from all sides. Totally new category of effect.”
“Six delay characters, tempo sync, modulation. It's fully featured. The swell that rushes up into my drops feels absolutely inevitable now. Great job on this.”
“Irreplaceable unique plugin”
“Slingshot sits in every session I create now. A truly unique effect the plugin industry has been sleeping on”
“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
“Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)”
“Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick.”
“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
“Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible.”
“The Filtered delay character here is gorgeous. I put this on a vocal chop and the rush into the drop felt inevitable. Never thought I'd see a "live reversed echo" actually become a thing, but it works flawlessly.”
“Analog delay character + live reversed echo = magic. I used to spend 10 minutes bouncing and flipping audio to fake this effect. Now it's just... live. Wow.”
“Ping-pong character through this swell is trippy in the best way. Used it on a drum fill and it sounded like the drums were rushing at me from all sides. Totally new category of effect.”
“Six delay characters, tempo sync, modulation. It's fully featured. The swell that rushes up into my drops feels absolutely inevitable now. Great job on this.”
Reverse delay
Your delay plugin can’t do this.
You know the workaround: bounce the clip, reverse it, drag it back, nudge it until it lines up — then do the whole thing again when the tempo changes. Slingshot builds that swell in front of your sound as an insert, and stops it dead right where the drop lands.
Feedback · Time · Sync
Echo that arrives before the sound.
Feedback sets how many repeats, the note division sets their spacing, and the lead-in is the two multiplied — handed to your DAW as latency so the build lands ahead of the transient.
Six characters
Every repeat runs the filter again.
The far end of the swell is darker and narrower than the near end, the way a real feedback loop dulls each pass. Six flavours decide how that decay behaves.
Capture
Print the swell. Drag it in.
Arm CAPTURE, play the sound once, and the printed lead-in lands in the drop zone — trimmed to the hit, placed on the grid, ready to pull straight onto a track.
A delay that swells into your sound.
Instant download + license key · 14-day money-back guarantee
A delay that swells into your sound.
Stack reversed echoes that crescendo in front of a vocal, drum or sample — then capture the swell and drag it straight into your DAW.
14-day money-back guarantee · Instant download + license key
4.9·Loved by 1,750+ producers
What People Are Saying
Sarah Jenkins
"Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick."
TripleB
"Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)"
DJ A.P. #therealdjap @djapnrcpro
"Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!"
Slickz
"Slingshot sits in every session I create now. A truly unique effect the plugin industry has been sleeping on"
Wavelink
"Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible."
Jessica Smith
"The Filtered delay character here is gorgeous. I put this on a vocal chop and the rush into the drop felt inevitable. Never thought I'd see a "live reversed echo" actually become a thing, but it works flawlessly."
What Preverb did for reverse reverb, Slingshot does for delay.
The LEC Deal — buy it once, own it forever
A sound that didn't exist before
Slingshot isn't a delay with a reverse button. It's a new effect: stacked reversed echoes, generated live from your own audio, rushing up into the drop instead of trailing off it. No other plugin makes this sound.
Preverb or Slingshot?
Not a matched pair. One automates a trick everyone knows; the other didn't exist anywhere else. A transition is a build and a release.
Preverb
The swell before.
A reverb tail that blooms into your sound, so the drop lands like it was always coming. Risers, vocal lead-ins, transitions.
Slingshot
The release.
Stacked reversed echoes that rush up into the drop and fling it forward. Drums, vocals, one-shots.
Most producers end up wanting both — so the pair is priced like it.
Everything in the box
Reverse Delay
Discrete reversed echoes that build UP into your sound instead of trailing after it — the backwards-tape swell, as an instant insert.
Capture & Print
Arm CAPTURE, play your sound, and the printed pre-delay lands in a drop zone you drag straight into your DAW as a WAV.
Pitch + Formant
Shift the echoes' pitch and their formant/timbre independently — or link them for natural, chipmunk-free transposition.
6 Delay Characters
Clean, Tape, Analog, Diffuse, Ping-Pong, and Filtered — each shaping the reversed taps' tone and feel.
SNAP Transients
Shape the transient of the delayed signal — snappier, more present echoes, or a softer, washier swell. Wet-only, so your dry stays clean.
33 Presets + A/B
33 factory presets across drums, vocals, synths, dub, ambient & FX — plus save-your-own, A/B compare, a draggable lead-in curve, and true latency-compensated bypass.
Mac + Windows
Universal VST3 + AU on macOS, VST3 on Windows. One license unlocks every format on both platforms.
How it works
Drop it on a track
Insert Slingshot on a vocal, drum, or one-shot. Pick a character and shape the lead-in on the live curve.
Dial the lead-in
Time, Feedback, Shape, Tone, Width, Pitch + Formant — the reversed echoes crest right as your sound hits, perfectly time-aligned.
Capture & drag out
Hit CAPTURE to print the pre-delay, then drag the rendered WAV straight into your session. Done.
Will it work for me?
Short version: if you make music in any major DAW on Mac or Windows, yes.
64‑bit VST3 + AU · macOS 10.13+ (Intel & Apple Silicon, native — no Rosetta) · Windows 10+ (64‑bit) · No iLok, no dongle. One license key activates both platforms.
⚠️ Pro Tools: not natively — Pro Tools only loads AAX, and Slingshot doesn't currently ship AAX. It can run inside a VST3 wrapper (Blue Cat's PatchWork, DDMF Metaplugin), but if Pro Tools is your only DAW, know that before you buy.
Not supported: Linux · iPad/iOS · 32‑bit systems · VST2‑only hosts (Live 9 and earlier — VST3 needs Live 10.1+)
Works in your DAW? Then you're two clicks from the swell.
14-day money-back guarantee · Instant download + license key
Questions, answered
How is Slingshot different from Preverb?
Preverb builds a reverse REVERB — one smeared wash that swells in. Slingshot builds reverse DELAY — discrete reversed echoes that stack and crescendo, with feedback and six delay characters. Same family, different tool: wash vs. rhythm.
Does Slingshot work in FL Studio / Logic / Ableton?
Yes — all three, plus every other major VST3/AU DAW. FL and Live load the VST3; Logic and GarageBand load the AU.
Does it work on Apple Silicon (M1/M2/M3/M4)?
Yes, natively. No Rosetta required.
Can I use one purchase on my Mac AND my PC?
Yes. One license key activates both platforms.
Does it work offline?
Yes — fully. Your license key is validated on your machine: no account, no server check, no internet required.
Does it work in Pro Tools?
Not natively — Pro Tools only loads AAX. A VST3 wrapper like Blue Cat's PatchWork works, but buy with that understanding.
Isn't this just a reversed delay I could make myself?
No. Reversing a printed tail gives you one static, frozen sound. Slingshot generates the reversed echoes live from your audio — stacked taps with feedback, six delay characters, independent pitch and formant, and a draggable lead-in curve, all tempo-aware and editable in real time. That's a different sound, and no other plugin makes it.
Should I get Slingshot alone or the Preverb + Slingshot bundle?
Slingshot alone if you only need the reverse-delay swell. The $70 bundle if you want both effects — Preverb's reverse reverb for the build-up, Slingshot's reverse delay for the throw — since $98 of plugins for $70 is cheaper than buying Preverb separately later.
Yours forever
One payment, no subscription. Every format, both platforms, all future updates.
Less than 4 months of a typical plugin subscription — and it's yours forever.
- macOS VST3 + AU (universal — Apple Silicon & Intel)
- Windows VST3
- Perpetual license — yours forever
- All future updates included
- 33 factory presets — no manual required
- Instant download + license key
14-day money-back guarantee · Secure checkout · Instant download
Secure checkout · license delivered instantly
Already have (or want) Preverb too?
14-Day Money-Back Guarantee
Try Slingshot on your own tracks. If it doesn't earn a permanent spot in your chain, email support@lowendcandy.com within 14 days for a full refund — no questions, no hoops.