Make your trackshit harder.

“I just preverbed and I can't stop. Finally a plug-in that always knows what's coming. Highly recommend!”

“Let me just say - this is the first irreplaceable plugin ive purchased since Pro-Q. Truly does what nothing else does.”

“Preverb is by far, and already in just a few minutes, in another league!”

“Game changer plugin! 🔥🔥🔥”

“Irreplaceable unique plugin”

“Must have for vocal artists.”

“Finally a HAAS panner that doesn't completely destroy my mono compatibility. The delay times are actually tuned properly so it sounds super wide but doesn't phase cancel to zero when summed. Used it on some bgv’s and it wrapped around my head.”

“I use Reverb A on basically everything, but Preverb's 6 characters honestly cover all bases. The sucked-in rise is my favorite way to build into a drop. Great to see manual workaround finally solved.”

“Perfect pair for the Vocal Clean Up rack. Adds a nice lush reverb and some subtle saturation. Makes dry vocals sound radio-ready super fast. I dial back the saturation a bit, but it's a great starting point.”

“I printed the effect in real time while tracking vocals and it sounded amazing on the way in. No bouncing and reversing by hand anymore. Makes writing so much more inspiring.”

“For Serum 1 this is the best workflow tool I have. Instead of scrolling presets, I generate my own textures instantly. It literally paid for itself in my first session.”

“The A/B compare button is such a nice touch. I can test two completely different swell ideas side by side. Also, linking the pitch and formant is cool, but un-linking them is where the real sound design happens.”

“Exactly what it says it is. I mapped this one knob to my MIDI controller and just pushed it up during the breakdown. Filter, reverb wash, and delay throws all happening at once. Collapsed like 3 hours of automation into one fader move.”

“Bass music master tool right here. Being able to drag the crossover points straight on the analyser instead of guessing is a game changer. The Diode clip character is brutal in the best way. Only taking a star off because I wish it loaded a bit faster, but the ADAA oversampling is super clean.”

“One click and it spits out a patch I actually want to use. The randomization engine isn't just pure noise—it actually forces happy accidents. Better than scrolling presets for 20 minutes.”

“The gate works surprisingly well on some noisy vocal takes. It really is the "first thing in the chain" as advertised. Sometimes the de-esser is a bit much on acoustic guitar though.”

“I promised I wouldn’t buy anymore plugins but couldn’t help myself! This thing looked so interesting and man am I happy I did. It saves so many steps and time in my productions. Sounds great and love the drag and drop functionality!”

“No extra marketing fluff, just an AI chord generator for Ableton. It does what it says. Hit a button, get chords. Really helpful when I have no idea what to play.”

“It’s basically a drop-builder cheat code. I automate the knob up right before the chorus hits and drop it back to zero on the downbeat. So much tension, zero tedious automation lane drawing.”

“No more tapping tempo by hand for my DJ edits! Just drop the reference track on the labeled area and it analyzes in seconds. Huge workflow upgrade.”

“I do a lot of remixes and knowing the relative key up front saved me literally an hour last night. It's fast, drops right into Ableton, and just works. No notes.”

“Usually randomizers just spit out unplayable noise. This one clearly has a refined engine. Every patch it generates is actually usable and inspires a new melody. Great value.”

“The varispeed pitch (±24 semitones) is great. Chopped a vocal, dropped it down an octave, and ran it through the built-in saturation. Instant hard-hitting hip-hop loop. The chop-only filter is also a nice touch.”

“Really cool plugin that saves me time ! Its great to get reverb throws to make my songs more interesting and flawless transitions.”

“Measuring cleaner at 4x oversampling than plain 16x? I was skeptical, but my highs are actually intelligible when clipping a distorted bass. I will never go back to fixed crossover clippers.”

“This plugin is great for vocal artists”

“The grid retrigger going from a full bar down to 1/32nds is super flexible. I like setting it to triplets and sweeping the groove knob from laid back to punchy. It's like having an MPC inside my DAW.”

“Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick.”

“The de-esser in this thing is surprisingly aggressive. Tamed some really harsh sibilance on a bright condenser mic recording without ruining the vocal. Signal is squeaky clean ready for sauce now.”

“Great plugin! And the option that lets you generate the reverb sound directly inside the plugin so you can then drag & drop it into your DAW makes all the difference compared to the competition! Ease of use and time-saving – that sums up this great plugin!”

“Sauce.”

“Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)”

“This makes swells/reverse reverbs very easy and hassle free. I would gladly recommend to other producers and remixers.”

“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”

“FINALLY! Dont sleep on this”

“For three bucks this is a steal. Maps all the important Serum 1 controls to macros so I can just hit randomize and see what happens. Way better than scrolling through thousands of presets.”

“Honestly a better learning tool than half the YouTube tutorials I've watched. Throwing it after my compressor and actually seeing the transients get tamed in real time finally made compression click for me.”

“I love that clipping and multiband compression are sharing the exact same splits. Usually my clipper and OTT are fighting each other across the frequency spectrum. This fixes that entirely. The Crisp character is beautifully transparent.”

“The tagline is "before the drop" and it delivers. Used this on a synth riser and it builds so much tension. The fact that I don't have to bounce and reverse manually anymore is worth 49 bucks alone.”

“Draws the waveform super clearly. Sometimes if my attack is super fast I miss it visually, but overall it's fantastic for checking how much gain reduction is actually happening versus what the meters say.”

“Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible.”

“Hi-hats usually just sit there taking up space. Throw this rack on and suddenly they've got movement and flavor. One knob simplicity is great when I just want to get ideas down fast.”

“I have an OTT right after the clipping on the same crossovers. It’s wild how much glue this adds to a dubstep bass. The Fuzz character is totally destroyed in the best way. Just waiting for them to update it out of the early artist build.”

“Put this on a mono synth and it instantly sounded wide. Wide synths always have phase cancellation issues when played live, but the delay times here are tuned well enough that it survived the club test.”

“I just preverbed and I can't stop. Finally a plug-in that always knows what's coming. Highly recommend!”

“Let me just say - this is the first irreplaceable plugin ive purchased since Pro-Q. Truly does what nothing else does.”

“Preverb is by far, and already in just a few minutes, in another league!”

“Game changer plugin! 🔥🔥🔥”

“Irreplaceable unique plugin”

“Must have for vocal artists.”

“Finally a HAAS panner that doesn't completely destroy my mono compatibility. The delay times are actually tuned properly so it sounds super wide but doesn't phase cancel to zero when summed. Used it on some bgv’s and it wrapped around my head.”

“I use Reverb A on basically everything, but Preverb's 6 characters honestly cover all bases. The sucked-in rise is my favorite way to build into a drop. Great to see manual workaround finally solved.”

“Perfect pair for the Vocal Clean Up rack. Adds a nice lush reverb and some subtle saturation. Makes dry vocals sound radio-ready super fast. I dial back the saturation a bit, but it's a great starting point.”

“I printed the effect in real time while tracking vocals and it sounded amazing on the way in. No bouncing and reversing by hand anymore. Makes writing so much more inspiring.”

“For Serum 1 this is the best workflow tool I have. Instead of scrolling presets, I generate my own textures instantly. It literally paid for itself in my first session.”

“The A/B compare button is such a nice touch. I can test two completely different swell ideas side by side. Also, linking the pitch and formant is cool, but un-linking them is where the real sound design happens.”

“Exactly what it says it is. I mapped this one knob to my MIDI controller and just pushed it up during the breakdown. Filter, reverb wash, and delay throws all happening at once. Collapsed like 3 hours of automation into one fader move.”

“Bass music master tool right here. Being able to drag the crossover points straight on the analyser instead of guessing is a game changer. The Diode clip character is brutal in the best way. Only taking a star off because I wish it loaded a bit faster, but the ADAA oversampling is super clean.”

“One click and it spits out a patch I actually want to use. The randomization engine isn't just pure noise—it actually forces happy accidents. Better than scrolling presets for 20 minutes.”

“The gate works surprisingly well on some noisy vocal takes. It really is the "first thing in the chain" as advertised. Sometimes the de-esser is a bit much on acoustic guitar though.”

“I promised I wouldn’t buy anymore plugins but couldn’t help myself! This thing looked so interesting and man am I happy I did. It saves so many steps and time in my productions. Sounds great and love the drag and drop functionality!”

“No extra marketing fluff, just an AI chord generator for Ableton. It does what it says. Hit a button, get chords. Really helpful when I have no idea what to play.”

“It’s basically a drop-builder cheat code. I automate the knob up right before the chorus hits and drop it back to zero on the downbeat. So much tension, zero tedious automation lane drawing.”

“No more tapping tempo by hand for my DJ edits! Just drop the reference track on the labeled area and it analyzes in seconds. Huge workflow upgrade.”

“I do a lot of remixes and knowing the relative key up front saved me literally an hour last night. It's fast, drops right into Ableton, and just works. No notes.”

“Usually randomizers just spit out unplayable noise. This one clearly has a refined engine. Every patch it generates is actually usable and inspires a new melody. Great value.”

“The varispeed pitch (±24 semitones) is great. Chopped a vocal, dropped it down an octave, and ran it through the built-in saturation. Instant hard-hitting hip-hop loop. The chop-only filter is also a nice touch.”

“Really cool plugin that saves me time ! Its great to get reverb throws to make my songs more interesting and flawless transitions.”

“Measuring cleaner at 4x oversampling than plain 16x? I was skeptical, but my highs are actually intelligible when clipping a distorted bass. I will never go back to fixed crossover clippers.”

“This plugin is great for vocal artists”

“The grid retrigger going from a full bar down to 1/32nds is super flexible. I like setting it to triplets and sweeping the groove knob from laid back to punchy. It's like having an MPC inside my DAW.”

“Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick.”

“The de-esser in this thing is surprisingly aggressive. Tamed some really harsh sibilance on a bright condenser mic recording without ruining the vocal. Signal is squeaky clean ready for sauce now.”

“Great plugin! And the option that lets you generate the reverb sound directly inside the plugin so you can then drag & drop it into your DAW makes all the difference compared to the competition! Ease of use and time-saving – that sums up this great plugin!”

“Sauce.”

“Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)”

“This makes swells/reverse reverbs very easy and hassle free. I would gladly recommend to other producers and remixers.”

“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”

“FINALLY! Dont sleep on this”

“For three bucks this is a steal. Maps all the important Serum 1 controls to macros so I can just hit randomize and see what happens. Way better than scrolling through thousands of presets.”

“Honestly a better learning tool than half the YouTube tutorials I've watched. Throwing it after my compressor and actually seeing the transients get tamed in real time finally made compression click for me.”

“I love that clipping and multiband compression are sharing the exact same splits. Usually my clipper and OTT are fighting each other across the frequency spectrum. This fixes that entirely. The Crisp character is beautifully transparent.”

“The tagline is "before the drop" and it delivers. Used this on a synth riser and it builds so much tension. The fact that I don't have to bounce and reverse manually anymore is worth 49 bucks alone.”

“Draws the waveform super clearly. Sometimes if my attack is super fast I miss it visually, but overall it's fantastic for checking how much gain reduction is actually happening versus what the meters say.”

“Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible.”

“Hi-hats usually just sit there taking up space. Throw this rack on and suddenly they've got movement and flavor. One knob simplicity is great when I just want to get ideas down fast.”

“I have an OTT right after the clipping on the same crossovers. It’s wild how much glue this adds to a dubstep bass. The Fuzz character is totally destroyed in the best way. Just waiting for them to update it out of the early artist build.”

“Put this on a mono synth and it instantly sounded wide. Wide synths always have phase cancellation issues when played live, but the delay times here are tuned well enough that it survived the club test.”