Transitions that
actually hit.
Preverb automates the reverse-reverb swell producers have been faking by hand for twenty years. Slingshot makes a sound that has no workaround at all — stacked reversed echoes, generated live from your own audio. One saves you the hour. The other you can't get anywhere else.
“Really cool plugin that saves me time! Its great to get reverb throws to make my songs more interesting and flawless transitions.”
“Ease of use and time-saving – that sums up this great plugin!”
“It saves so many steps and time in my productions. Sounds great and love the drag and drop functionality!”
“Slingshot sits in every session I create now. A truly unique effect the plugin industry has been sleeping on”
“This makes swells/reverse reverbs very easy and hassle free.”
“This plugin is great for vocal artists”
“Irreplaceable unique plugin”
“Sauce.”
“Finally a HAAS panner that doesn't completely destroy my mono compatibility. The delay times are actually tuned properly so it sounds super wide but doesn't phase cancel to zero when summed. Used it on some bgv’s and it wrapped around my head.”
“I use Reverb A on basically everything, but Preverb's 6 characters honestly cover all bases. The sucked-in rise is my favorite way to build into a drop. Great to see manual workaround finally solved.”
“Perfect pair for the Vocal Clean Up rack. Adds a nice lush reverb and some subtle saturation. Makes dry vocals sound radio-ready super fast. I dial back the saturation a bit, but it's a great starting point.”
“I printed the effect in real time while tracking vocals and it sounded amazing on the way in. No bouncing and reversing by hand anymore. Makes writing so much more inspiring.”
“For Serum 1 this is the best workflow tool I have. Instead of scrolling presets, I generate my own textures instantly. It literally paid for itself in my first session.”
“The A/B compare button is such a nice touch. I can test two completely different swell ideas side by side. Also, linking the pitch and formant is cool, but un-linking them is where the real sound design happens.”
“Exactly what it says it is. I mapped this one knob to my MIDI controller and just pushed it up during the breakdown. Filter, reverb wash, and delay throws all happening at once. Collapsed like 3 hours of automation into one fader move.”
“Bass music master tool right here. Being able to drag the crossover points straight on the analyser instead of guessing is a game changer. The Diode clip character is brutal in the best way. Only taking a star off because I wish it loaded a bit faster, but the ADAA oversampling is super clean.”
“One click and it spits out a patch I actually want to use. The randomization engine isn't just pure noise—it actually forces happy accidents. Better than scrolling presets for 20 minutes.”
“The gate works surprisingly well on some noisy vocal takes. It really is the "first thing in the chain" as advertised. Sometimes the de-esser is a bit much on acoustic guitar though.”
“No extra marketing fluff, just an AI chord generator for Ableton. It does what it says. Hit a button, get chords. Really helpful when I have no idea what to play.”
“It’s basically a drop-builder cheat code. I automate the knob up right before the chorus hits and drop it back to zero on the downbeat. So much tension, zero tedious automation lane drawing.”
“No more tapping tempo by hand for my DJ edits! Just drop the reference track on the labeled area and it analyzes in seconds. Huge workflow upgrade.”
“I do a lot of remixes and knowing the relative key up front saved me literally an hour last night. It's fast, drops right into Ableton, and just works. No notes.”
“Usually randomizers just spit out unplayable noise. This one clearly has a refined engine. Every patch it generates is actually usable and inspires a new melody. Great value.”
“The varispeed pitch (±24 semitones) is great. Chopped a vocal, dropped it down an octave, and ran it through the built-in saturation. Instant hard-hitting hip-hop loop. The chop-only filter is also a nice touch.”
“Measuring cleaner at 4x oversampling than plain 16x? I was skeptical, but my highs are actually intelligible when clipping a distorted bass. I will never go back to fixed crossover clippers.”
“The grid retrigger going from a full bar down to 1/32nds is super flexible. I like setting it to triplets and sweeping the groove knob from laid back to punchy. It's like having an MPC inside my DAW.”
“Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick.”
“The de-esser in this thing is surprisingly aggressive. Tamed some really harsh sibilance on a bright condenser mic recording without ruining the vocal. Signal is squeaky clean ready for sauce now.”
“Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)”
“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
“For three bucks this is a steal. Maps all the important Serum 1 controls to macros so I can just hit randomize and see what happens. Way better than scrolling through thousands of presets.”
“Honestly a better learning tool than half the YouTube tutorials I've watched. Throwing it after my compressor and actually seeing the transients get tamed in real time finally made compression click for me.”
“I love that clipping and multiband compression are sharing the exact same splits. Usually my clipper and OTT are fighting each other across the frequency spectrum. This fixes that entirely. The Crisp character is beautifully transparent.”
“The tagline is "before the drop" and it delivers. Used this on a synth riser and it builds so much tension. The fact that I don't have to bounce and reverse manually anymore is worth 49 bucks alone.”
“Draws the waveform super clearly. Sometimes if my attack is super fast I miss it visually, but overall it's fantastic for checking how much gain reduction is actually happening versus what the meters say.”
“Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible.”
“Hi-hats usually just sit there taking up space. Throw this rack on and suddenly they've got movement and flavor. One knob simplicity is great when I just want to get ideas down fast.”
“I have an OTT right after the clipping on the same crossovers. It’s wild how much glue this adds to a dubstep bass. The Fuzz character is totally destroyed in the best way. Just waiting for them to update it out of the early artist build.”
“Put this on a mono synth and it instantly sounded wide. Wide synths always have phase cancellation issues when played live, but the delay times here are tuned well enough that it survived the club test.”
“Really cool plugin that saves me time! Its great to get reverb throws to make my songs more interesting and flawless transitions.”
“Ease of use and time-saving – that sums up this great plugin!”
“It saves so many steps and time in my productions. Sounds great and love the drag and drop functionality!”
“Slingshot sits in every session I create now. A truly unique effect the plugin industry has been sleeping on”
“This makes swells/reverse reverbs very easy and hassle free.”
“This plugin is great for vocal artists”
“Irreplaceable unique plugin”
“Sauce.”
“Finally a HAAS panner that doesn't completely destroy my mono compatibility. The delay times are actually tuned properly so it sounds super wide but doesn't phase cancel to zero when summed. Used it on some bgv’s and it wrapped around my head.”
“I use Reverb A on basically everything, but Preverb's 6 characters honestly cover all bases. The sucked-in rise is my favorite way to build into a drop. Great to see manual workaround finally solved.”
“Perfect pair for the Vocal Clean Up rack. Adds a nice lush reverb and some subtle saturation. Makes dry vocals sound radio-ready super fast. I dial back the saturation a bit, but it's a great starting point.”
“I printed the effect in real time while tracking vocals and it sounded amazing on the way in. No bouncing and reversing by hand anymore. Makes writing so much more inspiring.”
“For Serum 1 this is the best workflow tool I have. Instead of scrolling presets, I generate my own textures instantly. It literally paid for itself in my first session.”
“The A/B compare button is such a nice touch. I can test two completely different swell ideas side by side. Also, linking the pitch and formant is cool, but un-linking them is where the real sound design happens.”
“Exactly what it says it is. I mapped this one knob to my MIDI controller and just pushed it up during the breakdown. Filter, reverb wash, and delay throws all happening at once. Collapsed like 3 hours of automation into one fader move.”
“Bass music master tool right here. Being able to drag the crossover points straight on the analyser instead of guessing is a game changer. The Diode clip character is brutal in the best way. Only taking a star off because I wish it loaded a bit faster, but the ADAA oversampling is super clean.”
“One click and it spits out a patch I actually want to use. The randomization engine isn't just pure noise—it actually forces happy accidents. Better than scrolling presets for 20 minutes.”
“The gate works surprisingly well on some noisy vocal takes. It really is the "first thing in the chain" as advertised. Sometimes the de-esser is a bit much on acoustic guitar though.”
“No extra marketing fluff, just an AI chord generator for Ableton. It does what it says. Hit a button, get chords. Really helpful when I have no idea what to play.”
“It’s basically a drop-builder cheat code. I automate the knob up right before the chorus hits and drop it back to zero on the downbeat. So much tension, zero tedious automation lane drawing.”
“No more tapping tempo by hand for my DJ edits! Just drop the reference track on the labeled area and it analyzes in seconds. Huge workflow upgrade.”
“I do a lot of remixes and knowing the relative key up front saved me literally an hour last night. It's fast, drops right into Ableton, and just works. No notes.”
“Usually randomizers just spit out unplayable noise. This one clearly has a refined engine. Every patch it generates is actually usable and inspires a new melody. Great value.”
“The varispeed pitch (±24 semitones) is great. Chopped a vocal, dropped it down an octave, and ran it through the built-in saturation. Instant hard-hitting hip-hop loop. The chop-only filter is also a nice touch.”
“Measuring cleaner at 4x oversampling than plain 16x? I was skeptical, but my highs are actually intelligible when clipping a distorted bass. I will never go back to fixed crossover clippers.”
“The grid retrigger going from a full bar down to 1/32nds is super flexible. I like setting it to triplets and sweeping the groove knob from laid back to punchy. It's like having an MPC inside my DAW.”
“Slingshot is a wild concept. I've faked reversed echo a million times, but having it live in the session is crazy. Put it on a snare before a drop and it just rushes up into the hit. The Tape delay character sounds super thick.”
“The de-esser in this thing is surprisingly aggressive. Tamed some really harsh sibilance on a bright condenser mic recording without ruining the vocal. Signal is squeaky clean ready for sauce now.”
“Just like preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with preverb. Recommended. :)”
“Slingshot really takes what PreVerb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
“For three bucks this is a steal. Maps all the important Serum 1 controls to macros so I can just hit randomize and see what happens. Way better than scrolling through thousands of presets.”
“Honestly a better learning tool than half the YouTube tutorials I've watched. Throwing it after my compressor and actually seeing the transients get tamed in real time finally made compression click for me.”
“I love that clipping and multiband compression are sharing the exact same splits. Usually my clipper and OTT are fighting each other across the frequency spectrum. This fixes that entirely. The Crisp character is beautifully transparent.”
“The tagline is "before the drop" and it delivers. Used this on a synth riser and it builds so much tension. The fact that I don't have to bounce and reverse manually anymore is worth 49 bucks alone.”
“Draws the waveform super clearly. Sometimes if my attack is super fast I miss it visually, but overall it's fantastic for checking how much gain reduction is actually happening versus what the meters say.”
“Diffuse character is my favorite for dreamy swells. Makes things sound huge. Takes a tiny bit to dial in the exact feel of the rush, but once it's there it sounds incredible.”
“Hi-hats usually just sit there taking up space. Throw this rack on and suddenly they've got movement and flavor. One knob simplicity is great when I just want to get ideas down fast.”
“I have an OTT right after the clipping on the same crossovers. It’s wild how much glue this adds to a dubstep bass. The Fuzz character is totally destroyed in the best way. Just waiting for them to update it out of the early artist build.”
“Put this on a mono synth and it instantly sounded wide. Wide synths always have phase cancellation issues when played live, but the delay times here are tuned well enough that it survived the club test.”
You save $28 (29% off) · 14-day money-back guarantee
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Preverb
Reverse reverb, in real time
Slingshot
Reverse delay — no other plugin does this
Hear both, right now
Real bounces. Hit play, then flip Dry / effect — same take, nothing else changed. If you've never heard a reverse delay, start on the right.
Preverb — the swell in
Slingshot — the throw back
See them in action
The full product walkthroughs from each plugin page — click to play.
Preverb walkthrough
Slingshot walkthrough
What $70 buys
- Preverb — reverse reverb
- $49
- Slingshot — reverse delay
- $49
- Bought separately
- $98
- The bundle
- $70
Two license keys, emailed instantly · 14-day money-back guarantee
Your drop is fine. The four bars before it aren't.
Nobody skips a transition on purpose. You skip it because the two sounds that would fix it are either a twenty-minute chore or something you've never been able to make at all.
Pain 1 · The reverse-reverb tax
You know this one. Everyone does. Which is exactly why it's so annoying:
- Duplicate the clip. Reverse it. Print a reverb tail. Reverse it back.
- Nudge it until the swell lands on the downbeat. It never quite does.
- Change the tempo or the vocal take — start the whole thing over.
- Twenty minutes gone, and the idea you were chasing is gone with it.
Pain 2 · The one you can't reverse-engineer
And then there's the other sound. The one that pulls backwards into a vocal or a snare and makes the whole bar lean forward. You've heard it on records. You've never made it.
- There's no bounce-and-reverse workaround — reversing a printed tail gives you one frozen sound, not this.
- No stock delay does it. Flipping a delay's wet output backwards isn't the same effect.
- There's no tutorial that gets you there, because it isn't a trick — it's an effect that didn't have a plugin.
This is the gap Slingshot fills. Not a faster way to do something you already do — a sound you currently cannot make.
Pain 3 · Buying half the answer
Most producers buy one of the two, use it on everything for a month, and then hit the exact wall the other one solves — the build is handled but the release still dies, or the throw is there with nothing leading into it. Then they pay full price a second time.
With both of them on the track
- Drag Preverb on. The swell builds into the sound, in time, live.
- Drag Slingshot on. Reversed echoes throw off the back of it.
- Change the take, the key or the tempo — both follow. Nothing to re-print.
- Like what you hear? Hit CAPTURE and drag the WAV into your session.
Both generate from your own audio, so they're always in your key and always in your tempo — it's your sound coming back at you, not a stranger's sample.
Why the pair
One automates a trick everyone knows.
The other doesn't exist anywhere else.
These aren't two versions of the same plugin, and they don't earn their place the same way. A transition is a build and a release. Preverb owns the build. Slingshot owns the release — and it's the half almost nobody has.
The known move, made instant
Preverb → into the moment
Reverse reverb is a twenty-year-old studio move — engineers have flipped, printed and re-flipped tape and clips to get it since before you had a DAW. Preverb does the whole thing live, on the insert: risers made of your own drop, vocal lead-ins that breathe in, snare halos that bloom on the downbeat instead of smearing past it.
You already want this sound. It just costs you an hour every time.
A new effect, not a faster old one
Slingshot → out of the moment
Reverse delay isn't commonplace the way reverse reverb is. It isn't a delay with a reverse button either. It's stacked reversed taps with feedback, six delay characters, independent pitch and formant and a draggable lead-in curve — generated live from your audio, tempo-aware, editable while it plays. Fills that pull backwards, dub throws on a single word, tails that hand the energy to the next section.
There is no manual version of this. That's the point.
“Slingshot sits in every session I create now. A truly unique effect the plugin industry has been sleeping on.”
Slickz — verified buyer, Slingshot
Buy one and you hit the wall the other one solves. Bought together, $28 cheaper.
Instant download · 14-day money-back guarantee
What producers say after a week
All verified buyers. The cyan tags are people who bought both.
“Stop bouncing and reversing reverbs. This plugin gives you total control. Love this plugin.”
ND Studio
Producer / Sound Designer
@ndstudio_be“I just preverbed and I can't stop. Finally a plug-in that always knows what's coming. Highly recommend!”
Jeff Batistoni
Engineer at Sri Lanka Studios
“Let me just say - this is the first irreplaceable plugin I've purchased since Pro-Q. Truly does what nothing else does.”
Chris Stephen
Grammy nominated vocalist and producer
“Slingshot really takes what Preverb does to the next level but with DELAY! Both are incredible, but this one adds a whole lot of movement to the intro of your sample!”
DJ A.P.
Bought both
“Just like Preverb, does exactly what it should do. Makes the effect very easy to apply and saves a lot of time. Also, allows you to experiment much easier. Great price as a bundle with Preverb. Recommended.”
TripleB
Bought both
“Irreplaceable unique plugin”
SUPA
“Preverb is by far, and already in just a few minutes, in another league!”
Kirke Jan Blankenship
Composer / Producer / Sound Designer
“This makes swells/reverse reverbs very easy and hassle free. I would gladly recommend to other producers and remixers.”
BA$H
“Must have for vocal artists.”
@kalenhenning3117
What people are saying
Verified buyers, in their own words.
“Really cool plugin that saves me time! Its great to get reverb throws to make my songs more interesting and flawless transitions.”
ALPSTONE
“Ease of use and time-saving – that sums up this great plugin!”
Ynoxo
“It saves so many steps and time in my productions. Sounds great and love the drag and drop functionality!”
Structure
Instant download · 14-day money-back guarantee
Watch both walkthroughs
Full plugin tours — every control, on real material.
Everything you're getting
Preverb — reverse reverb
- Real-time reverse reverb — no bouncing, no reversing clips
- 6 reverb characters: Hall, Room, Plate, Cathedral, Ambience, Spring
- 24 factory presets for vocals, drums, bass, synths, risers and FX
- Independent pitch + formant shifting, or linked for natural transposition
- CAPTURE & PRINT — drag the printed swell straight in as a WAV
Slingshot — reverse delay
The one nothing else does
- Stacked reversed echoes generated live from your own audio
- 6 delay characters: Clean, Tape, Analog, Diffuse, Ping-Pong, Filtered
- 33 factory presets across drums, vocals, synths, dub, ambient and FX
- SNAP transient shaping + a draggable lead-in curve, all tempo-aware
- CAPTURE & PRINT — same drag-out WAV workflow as Preverb
Instant download
Both installers and both license keys land in your inbox seconds after checkout.
VST3 + AU
macOS and Windows. Ableton, Logic, FL, Bitwig, Studio One, Cubase, Reaper.
Lifetime license
One-time purchase. No subscription, free updates, use them on your machines forever.
The whole reverse toolkit
$70
You save $28 (29% off) · one-time payment
Secure checkout · Instant download · 14-day money-back guarantee
Only want one?
Before you buy
Both halves of every transition.
One checkout, $70.
- Preverb + Slingshot, full versions
- 57 presets across both plugins
- Mac + Windows, VST3 + AU
- Lifetime license, free updates
- Two keys, emailed instantly
- 14-day money-back guarantee
Save $28 vs $98 · Secure checkout · 4.9★ · Loved by 1,750+ producers